Bartlett, Charles (1860 - 1940), "The Diver Hawaii, with Hawaiian Mother and Child (copper plate)"
|Title||The Diver Hawaii, with Hawaiian Mother and Child (copper plate)|
|Medium||Original Copper Plate (double-sided)|
|Edition||First and only.|
|Publisher||The Artist - Original|
|Reference No||Miles #134 and #136|
|Size||11 x 7 -1/2 "|
Notes: Exceedingly rare. The original double-sided copper plate carved by the artist to create two important Hawaiian etchings: 1.) The Diver Hawaii and 2.) Hawaiian Mother and Child. "CWB" monograms etched into the copper plate by the artist.
Provenance: Estate of Rosalind Bartlett Schmidt (niece of C.W.B), Oahu, Hawai'i, 1962. Property of the Collection of David W. Forbes, Honolulu, Hawai'i.
David W. Forbes was best known as a Hawaiian history scholar. He advanced the field for other researchers as editor of the diaries of Queen Lili'uokalani, author of the Hawaiian National Bibliography, and curator of Encounters with Paradise: Views of Hawai'i and its People, 1778-1941, a sweeping show at the Honolulu Museum of Art in 1992. The exhibition catalog from that show is still considered by many to be the definitive text on Hawaiian art history.
In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called engraving; or through the corrosive action of acid – in which case the process is known as etching. In etching, for example, the plate is pre-covered in a thin, acid-resistant resin or wax ground. Using etching needles or burins, the artist or writer (etcher) engraves their image (therefore to be only where the plate beneath is exposed). The plate's ground side is then dipped into acid, or the acid poured onto it. The acid bites into the surface of the plate where it was exposed. Biting is a printmaking term to describe the acid's etching, or incising, of the image; its duration depends on the acid strength, metal's reactivity, temperature, air pressure and the depth desired. After the plate is sufficiently bitten it is removed from the acid bath, the ground is removed gently and the plate is usually dried or cleaned.
To print an intaglio plate, ink or inks are painted, wiped and/or dabbed into the recessed lines (such as with brushes/rubber gloves/rollers). The plate is then rubbed with tarlatan cloth to remove most of its waste (surface ink). Dampened paper will usually be fed against the plate, covered by a blanket, so when pressed by a rolling press it is squeezed into the plate's ink-filled grooves with uniform pressure. The blanket is then lifted, revealing the paper and printed image. The final stages repeat for each copy needed.